The longer I have lived in this house, the more I have loved it–that must be one of the definitions of good architecture. The way the light comes into the house and changes throughout the day. The screened porch on the second floor that both protects the house from the southern sun and provides a wonderful sanctuary at all times of the day. The expanses of hardwood floor that are a foil for the lightness of the interior walls. The way that art looks hanging on the walls.
As a proponent of sustainable architecture and resource conservation, I have been amazed at how well the house is sited for the Texas climate. The louvered exterior doors and the screened sleeping porch allow for both ventilation and security. The orientation of the house catches the prevailing winds. The enormous Texas red oak on the west side, coupled with the glass blocks on the western facade, ensure that the hot summer sun is kept from heating up the house and provide privacy from the street. I’ve tried to enhance the house’s natural energy efficiency with my choice of heating and air-conditioning units, and my utility bills have been minuscule.
Howard Meyer was one of Dallas’s most significant architects and an early proponent and practitioner of modernism. Here are links to the documentary on his life: A Well-Made Object, Part One and Part Two. He designed the house for Eugene Kahn Sanger, who was president of the E.M. Kahn Company, one of the foremost mercantile establishments in Dallas in the late 19th and early 20th centuries. It was published in the September 1940 issue of Architectural Record, as shown in this illustration.
The house is for sale at $739,000. Agents protected. Please contact me if you think this might be the house for you or for your clients.